As of late, in modern salsa, electronics are added to the mix. Salsa has a basic , rhythm; however, to say that salsa is just one rhythm or one set of instruments is deceiving.
The tempo is fast, and the musical energy is exuberant. There are many types of salsa, such as salsa dura hard salsa and salsa romantica romantic salsa.
There are salsa merengues , balada romantic salsas, and much more. Much debate exists about where salsa originated. One school of thought claims that salsa is a newer version of older, traditional Afro-Cuban forms and rhythms, so the birthplace must be Cuba. The other school of thought about the genre's history says that if salsa had a passport, the date of birth would be the s and its birthplace would be New York, New York; it developed there over that decade and the next via Cuban and Puerto Rican musicians.
Many old-school Latino musicians adhere to the belief that there is no such thing as salsa. Famous American percussionist and bandleader Tito Puente, often credited with developing the salsa sound, was not convinced it was a musical style. They brought their own native rhythms and musical forms with them, but as they listened to each other and played music together, the musical influences mixed, fused, and evolved. This type of musical hybridization gave birth to the s creation of the mambo from son , conjunto, and jazz traditions.
Continuing musical fusion went on to include what we know today as the cha-cha, rumba, conga, and, in the s, salsa. Of course, this musical hybridization was not a one-way street. It evolved a little differently in each place, so today we have Cuban salsa timba , Puerto Rican salsa , and Colombian salsa dura.
Ahi Na Ma! The other feature of cuban timba is that it often blends other rhythms into the breaks. Reggae, rap and hip hop have a huge following in Cuba, and the timba musicians love to play with those rhythms, and intertwine them into their salsa. Some musicians in Cuba known for Timba but also for Son :.
In the decadent days of Old Havana, all the action in town was going down at the Casinos. The man constantly moves around the woman in a circular dynamic, checking her out and showing her off. Rueda de Casino is the correct name in Spanish. The people invented a new casino dance, using popular dance steps of the time, danced as a group in a circle or wheel.
In the old casinos, the rueda circle would only be limited by available space — sometimes as many as couples would dance in the rueda circle!! Modern rueda uses the same kinds of turns and steps you would normally use in ordinary salsa dancing. Each move has a name, which is called by the leader of the Rueda. Leaders execute the move and pass the follower around to the next leader in the circle. Calls come in quick succession, creating an exciting dynamic between the dancers.
The names may vary somewhat, but those are pretty basic steps, and which are danced in Cuba, as well as in Santiago, Chile; Denver, Colorado and even Positano, Italy! What happens next is a result of dance in general being a fluid and ever-changing entity, not stagnant.
Moves are invented locally that reflect cultural reality. After all, what is dancing all about if not to have fun with it?! Colombian salsa is beautiful salsa for dancing and very popular among Wellington salsa dancers. Colombians dance salsa really really close,the bodies of the two dancers glued together — almost completely touching each other, from head to toe. Whenever the DJ puts on an Africando track, the dance floor rocks!! Senegalese soldiers fighting for France in World War II brought home recordings of the latest cuban bands playing in Paris.
The West Africans recognized something familiar in the music. The majority of the slaves transported to Cuba came from West Africa. These infectious new dance beats had their roots in the rhythms the slaves took to the New World. Contemporary West African salsa is wild — spacey electric guitar solos, swooping saxophone lines and wicked percussion. Vocals may be in spanish, but are more likely to be on local tribal languages such as Wolof or Mandinga. The band were playing a Wolof version of the cuban classic El Carretero.
The tama player launched into a high energy afrobeat dance at one point, lifting his knees into the air. Then he hitched up his long flowing robe, crouched, gave the crowd a big smile, and rotated his hips provocatively down, down, down.
Vocals are based on call and response chant. In many Hispanic communities, it remains today the most popular style of dance music. Salsa represents a mix of Latin musical genres, but its primary component is Cuban dance music. There, Spanish and Afro-Cuban musical elements were combined, both in terms of rhythm and the instruments used. By mid-century, this music came to Havana where foreign influences were absorbed, particularly American jazz and popular music heard on the radio.
By the end of the ls, many Cuban and Puerto Rican people including musicians had settled in the U. This created the environment where salsa music completed its development. Many bands were formed; immigrants continued to make Afro-Caribbean music, but they adapted the sound to their new world. They were influenced especially by American jazz. Gradually in the 50s and 60s, salsa as we know it today was emerging. The rise of salsa music is also tied closely to Fania Records which was founded in by the musician Johnny Pacheco and an Italian-American divorce lawyer named Jerry Masucci.
The two met at a party in a NY hotel. Around this time, Latin musicians began to have an impact on mainstream U. Share on email. Know someone who will like this? Go ahead… share it! Where does Salsa music come from? Salsa music for practice Is this stuff any good to practise to? I have the playlist rocking the office as I write and hope you enjoy it as much as I am.
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